An Odyssey

Aug. 15th, 2017 01:00 pm
lillibet: (Default)
When we first put together a schedule for the summer, it didn't look as though we'd be able to make our usual pilgrimage to the Oregon Shakespeare Festival, but as the plans got rearranged and put back together it turned out there was a narrow window when Jason and I could get down to Ashland just to see Mary Zimmerman's adaptation of The Odyssey, which she was reviving herself for the festival.

For those of you keeping track at home, Mary Zimmerman is probably my favorite stage director. She created Metamorphoses, one of the most perfect theatrical experiences of my life, and I loved her White Snake, as well. I am really enamored by her talent for taking ancient, epic stories and making them personal for modern audiences. I have read her version of The Odyssey in the past and been completely mystified how it might be staged, so I was very excited to see this production.

We flew down from Seattle on Sunday afternoon and checked into the Ashland Springs Hotel, which is a lovely, classic hotel just a block from the festival theatres. After a pleasant walk through Lithia Park, complete with a wade in the stream there, we had dinner at Amuse, our favorite restaurant in town, where the standout this time was a dessert of cherries soaked in balsamic vinegar and served over vanilla ice cream and a brown sugar cracker for a marvelous combination of contrasting flavors and textures. Then we headed over to the Elizabethan Theatre, an outdoor amphitheatre built to echo Shakespeare's Globe.

Detailed reflections on The Odyssey )

Overall I liked this show, rather than loving it. I think that if I ever decided to take on this story myself I would investigate other adaptations, or simply begin with the source text and carve my own show from it, rather than working from this script. I am very glad to have seen it, but would rank it below the three other shows I've seen her direct.

We went back to the hotel and watched the latest episode of Game of Thrones before bed. In the morning we had breakfast there and then I was able to squeeze in a massage across the street at Waterstone Spa. I always enjoy my experiences there, but this was definitely the best massage I've gotten there, and especially helped my thighs, which were still painfully tight from all the gardening on Friday.

When that was done, we piled quickly into the car and after a much-anticipated lunch at Jack-in-the-Box, hopped on our flight back to Seattle. Reunited with Alice, Steve, and Eric, we met Jason's best friend, Todd, for excellent sushi at Chiso in Fremont, and then I got to read Alice bedtime stories for the last time in a week before Jason took me back to Sea-Tac for my redeye to Boston. The flight was easy and quick--we made it in under four and a half hours, one of the fastest transcontinental flights I've ever flown--and I hadn't checked a bag, so I was able to walk out to a cab and be home just about the time we'd been scheduled to land. Jason and Alice are staying for another week, planning to go camping north of Boise over the weekend and catch the total eclipse before heading home.

It was strange to be doing all this travel and engaging in rituals of personal grief and delightful sensory experiences while violence in Charlottesville and its aftermath were taking over the news. I'm very glad to be home and able to engage more fully in the resistance to those awful events. Thanks to all those who kept me informed and in touch over the weekend.
lillibet: (Default)
Last night we started our visit to the Oregon Shakespeare Festival with Henry IV, Part I at the Elizabethan Stage. Built like the Globe, it is fully enclosed with no roof over most of the audience. It was a very warm day, but with nice breezes making it tolerable from the start and by the time the play ended almost three hours later it was down to a comfortable room temperature.

The cast was generally quite good, as one might expect. They had the strong understanding of the language that is key to an excellent production. Perhaps the weakest note was the king, who had trouble projecting well enough for us to hear him midway back. Hal was marvelous, with an element of strength underneath his antic disposition that is sometimes absent. Their Falstaff was the best I've ever seen, comic yet sincere and real and wonderfully specific in his mannerisms and grotesqueries.

I also enjoyed Poins, whom they presented as a deaf person to whom his friends signed. At times his interlocutors echoed his lines for the non-signing among us, to be sure we didn't miss any information, but often they just responded to what he'd said, trusting us to pick it up from context.

Their Hotspur had a very different approach to the role than I had seen before. A black man with a resonant voice and the grace of a trained dancer, he played Percy as a laughing, antic fellow, with a restless temper and energy. It was an interesting take, but didn't really work for me, especially since Mortimer, Glendower and the Douglas were all at least six inches taller than he was.

But overall, it was a very good production--I think the comic sections were stronger than I've ever seen them, making for a well-integrated, balanced evening of theatre and a great start to our Festival weekend.

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